What are dual-format editions?
Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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The feature debut of the most internationally renowned African director of the twentieth century, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.
This smash road comedy from Oscar-winning director Alfonso Cuarón is a funny and moving look at human desire.
Krzysztof Kieślowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. The Double Life of Véronique is an unforgettable symphony of feeling.
Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.
David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.
SoloMan93: “Reminds me a great deal of ALICE IN THE CITIES, from the laxadazical road trip to nowhere to the foreigner and her international perspective”
This landmark film, which documents the journeys of two remarkable families, continues to educate and inspire viewers, and it is widely considered one of the great works of American nonfiction cinema.
Director Kaneto Shindo’s documentary-like, dialogue-free portrayal of daily struggle is a work of stunning visual beauty and invention.
Stanley Kubrick’s painfully funny take on Cold War anxiety is one of the fiercest satires of human folly ever to come out of Hollywood.
A young woman (Meiko Kaji), trained from childhood as an assassin and hell-bent on revenge for the murders of her father and brother and the rape of her mother, hacks and slashes her way to gory satisfaction.
This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy’s postwar economic recovery.
The wildly prolific German filmmaker Rainer Werner Fassbinder paid homage to his cinematic hero Douglas Sirk with this update of that filmmaker’s 1955 All That Heaven Allows.
Combining stylish sixties modernism with silent-cinema touches and even a few unexpected sci-fi accents, Judex is a delightful bit of pulp fiction and a testament to the art of illusion.
SoloMan93: “According to an extra I saw on an MST3K boxset, Robert L. Lippert gave Samuel Fuller his start and these films were the end result. Now I'm curious...”
In these three films, something like social-realist farces, Kaurismäki surveys the working-class outcasts of his native Finland with detached yet disarming amusement.
Under Kenji Mizoguchi’s dazzling direction, this classic Japanese story became one of cinema’s greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil.
Spare and unsentimental but deeply imbued with a heart-rending tenderness, The Kid with a Bike is an arresting work from the great Belgian directors Jean-Pierre and Luc Dardenne, masters of the empathetic action film.
In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.
The Who’s classic rock opera Quadrophenia was the basis for this invigorating coming-of-age movie and depiction of the defiant, drug-fueled mod subculture of early 1960s London.
In this poetic and atmospheric horror fable, set in a village in war-torn medieval Japan, a malevolent spirit has been ripping out the throats of itinerant samurai. Onibaba, Kuroneko (Black Cat) is a spectacularly eerie twilight tale.
The Moment of Truth, from director Francesco Rosi, is a visceral plunge into the life of a famous torero—played by real-life bullfighting legend Miguel Mateo, known as Miguelín.
In Shallow Grave, three self-involved Edinburgh roommates take in a brooding boarder, and when he dies of an overdose, leaving a suitcase full of money, the trio embark on a series of very bad decisions, with extraordinarily grim consequences for all.
Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical.
SoloMan93: “I'm curious to see how Amelie's boyfriend fares behind a camera.”
Jean-Pierre Gorin established
his personal voice with this trio of fascinating,
SoloMan93: “I loved Pina, so I think I'll like this.”
With the discerning eye of a true artist and the investigatory skills of a great journalist, Malle takes us from a street corner in Paris to America’s heartland to the expanses of India in his astonishing epic Phantom India.
The singular French director Maurice Pialat puts his distinctive stamp on the lost-youth film with this devastating portrait of a damaged foster child.
Lars von Trier’s hypnotic Europa is a fever dream in which American pacifist Leopold Kessler stumbles into a job as a sleeping-car conductor for the Zentropa railways in a Kafkaesque 1945 postwar Frankfurt. Europa is one of the great Danish filmmaker’s weirdest and most wonderful works.
An epic on the grandest possible scale, Visconti’s opulent masterpiece stars Burt Lancaster as an aging prince watching his culture and fortune wane in the face of a new generation during the tumultuous years of Italy’s Risorgimento.
New German Cinema pioneer Wim Wenders (Wings of Desire) brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard.
Terry Zwigoff’s landmark 1995 film is an intimate documentary portrait of the underground artist Robert Crumb, whose unique drawing style and sexually and racially provocative subject matter have made him a household name in popular American art.
Based on events from writer-director Louis Malle’s own childhood, Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France.
In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making.
People on Sunday, an effervescent, sunlit silent, about a handful of city dwellers (a charming cast of nonprofessionals) enjoying a weekend outing, offers a rare glimpse of Weimar-era Berlin, would influence generations of film artists around the world.
SoloMan93: “I've only seen 2/3 of the TV version over Netflix; my parents pulled me out for some BS reason.”
A twisted treasure from Hollywood’s pre-Code horror heyday, Island of Lost Souls is
a cautionary tale of science run amok, adapted from H. G. Wells’s novel The Island of Dr. Moreau.