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These are 10 films that I have seen from the Criterion Collection that have left me awe struck by their incredible visuals. I apologize in advance that I left out Terrance Malick's films, I have yet to watch Days of Heaven or Thin Red Line. I love movie suggestions.
This film is so incredible and inventive in its directing, cinematography, acting, editing and everything in between. The only thing more incredible than this film is the fact that no Top Ten has a single von Trier film in it. Europa and Element of Crime could have easily made this list as well, but I didn't want to include a director more than once...for some reason.
I wish I could buy a beautiful frame to put this film in and hang it from my wall. In every scene every character, every piece of furniture everything so immaculately placed it just absorbs you. A lot of Kurosawa's films have this effect, but this one I find to be the most remarkable.
This movie is like sweet candy for the eyes. The colors are so vibrant and otherworldly its like seeing color for the first time...okay, it's not really like that, but it is a LOT of fun!
I love this movie! This is unlike any movie I have ever seen before. With almost no dialogue it relies heavily on its incredible soundtrack and visuals. Fantastically bizarre and wholly original. Like its poster claims "The most incredible film you've never seen."
Winner of the Academy Award and Golden Globe for Best Cinematography its pretty clear why I would add this beautiful technicolor drama. Shot mostly in a studio with painted landscapes that give life to the mountain town, Michael Powell had this to say about it; "Our mountains were painted on glass. We decided to do the whole thing in the studio and that's the way we managed to maintain colour control to the very end. Sometimes in a film its theme or its colour are more important than the plot."
Blow Out is amazing, not just for its use of visuals but the combination of sound and visual. I really love the use of the spilt dipoter lens to keep the foreground and background in sharp focus. Especially effective in the opening scene while John Travolt's character is out in the night capturing sounds, and in the final climactic scene with a brilliant fireworks background. So good, so fun.
So classically noir it almost parodies it. This movie is so wonderful in dialogue, acting, and directing, but what I like most is the use of lighting. Black and white films (not to mention noir films in general) take an extra bit of attention to lighting. This movie has absolutely perfect lighting...perfect.
This film is so...bright! Like a manic moving Roy Liechtenstein painting. Some really radical editing choices and a disjointed (to say the least) narrative make this film a little hard to follow. So if you're like me you'll have to watch it more than once, which is definitely not a bad thing.
Great makeup, great sets, and great dream sequences make this a favorite in the Criterion Collection.
I think this is Wes Anderson's most chaotic, most experimental film, which makes it his most rewarding film as well.