Children of Paradise
Marcel Carné’s masterpiece, starring the unforgettable Jean-Louis Barrault and the divine Arletty.
The Rules of the Game
Jean Renoir’s exposé of French bourgeois hypocrisy—always a great subject!
To be viewed with Pickup on South Street. Samuel Fuller originally wanted to use the same title as Bresson’s film.
The Tin Drum
Volker Schlöndorff’s brilliant adaptation of the great Günter Grass novel.
Rainer Werner Fassbinder
The Marriage of Maria Braun
I love the whole BRD trilogy for Fassbinder’s truthful rendering of the German psyche after World War II devastation and post–Marshall Plan de-Nazification, and for the great parts that he offered to his female actors. Being a teenager in the fifties, in Germany, I left for Paris to avoid being sucked into the materialistic obsession displayed here.
It has not aged a bit, and it contains my cinema debut, albeit in a small role. And the great Akim Tamiroff gets to die on me! An unforgettable experience. My daughter loves the way I pickpocket Tamiroff while taking his coat off.
Brigitte Bardot has never been better. The way Jack Palance’s producer brilliantly humiliates Michel Piccoli’s writer, who tries to hold on to his pride, rings a bell. Plus, our friend Fritz Lang as the director . . . Sacré Jean-Luc!
Anguish and hope, and Peter Lorre’s sterling performance.
The Naked Kiss
Something’s to be said for the Bicameral Mind. Kill the Pig and the Gods will commune through the head on the pole. I think I’m getting Lasik—just in case the veneer shatters.
Jesse Malin’s Top 10
After playing in hard-core and glam bands throughout the 1980s and ’90s, Queens-born singer-songwriter Jesse Malin released his first solo album, The Fine Art of Self Destruction, in 2002.
William Friedkin’s Top 10
“I discovered Criterion in the late eighties with the laserdisc of Citizen Kane, which I still watch,” writes director William Friedkin, whose films include The French Connection, The Exorcist, Sorcerer, and 2011’s Killer Joe.
Monte Hellman’s Top 10
I’ve fulfilled a dream to become a part of the Criterion family. Criterion has helped to preserve not only the films I grew up with but also the ones I’m now trying to keep up with. Picking ten is worse than trying to choose between my wives, my…