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Silent Treatment: Kim Min-hee in On the Beach at Night Alone

Performances

Silent Treatment: Kim Min-hee in On the Beach at Night Alone

In her most explicitly autobiographical collaboration with director Hong Sang-soo, the once reviled actress conveys a deep inner life through a series of understated moments.

By Kristen Yoonsoo Kim

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What Inspired Claudia Weill to Make a Different Kind of Friendship Movie
What Inspired Claudia Weill to Make a Different Kind of Friendship Movie

The director of the landmark independent movie Girlfriends recalls her journey to fiction filmmaking and her desire to go against the grain of women-driven storytelling.

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A Filmmaking Family Takes to the Streets

Cannes 2019

A Filmmaking Family Takes to the Streets

Legendary activist filmmaker Fernando Solanas joins his son and daughter in Cannes for their latest project, a chronicle of the long, hard fight for abortion rights in Argentina.

By Bilge Ebiri

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Let the Sunshine In: One Love
Let the Sunshine In: One Love

Claire Denis and Juliette Binoche grapple with the realities of middle-aged loneliness and the eternal quest for companionship in this candid quasi comedy.

By Stephanie Zacharek

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Games of Vision in Street of Shame
Games of Vision in Street of Shame

Professor David Bordwell unpacks the sophisticated design of Kenji Mizoguchi’s final masterpiece.

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The Versatile Artistry of Japan’s Most Revered Cinematographer
The Versatile Artistry of Japan’s Most Revered Cinematographer

Acclaimed DP John Bailey delves into the extraordinary career of one of the towering figures of golden-age Japanese cinema.

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How to Implicate an Audience
How to Implicate an Audience

Michael Haneke explains the strategy and inspiration behind his fourth-wall-breaking tricks in the brutal thriller Funny Games.

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Joanna Hogg Revisits Her Past Selves
Joanna Hogg Revisits Her Past Selves

With her first three films now playing on the Criterion Channel, the acclaimed British director digs back into the past to trace the roots of her cinephilia and artistry.

By Hillary Weston

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Funny Games: Don’t You Want to See How It Ends?
Funny Games: Don’t You Want to See How It Ends?

With this controversial treatise on violence and media, Michael Haneke created a spectacle that is both intensely watchable and hard to stomach.


By Bilge Ebiri

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Breaking the Ice: The Beginning of Desire in The Piano Teacher

One Scene

Breaking the Ice: The Beginning of Desire in The Piano Teacher

One of the quietest, most unassuming moments in Michael Haneke’s disturbing drama serves as a microcosm of his themes of control and sexuality.

By Garth Greenwell

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Terry Gilliam’s Closet Picks
Terry Gilliam’s Closet Picks

While in town for the release of his new movie The Man Who Killed Don Quixote, the legendary filmmaker stopped by to pick up some Criterion favorites.

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William Wyler’s Subtly Cinematic Take on the Chamber Drama
William Wyler’s Subtly Cinematic Take on the Chamber Drama

Despite its cloistered setting, The Heiress is filled with moments of visual ingenuity and exquisite camera work that take viewers inside its heroine’s psychology.

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