Chronicle of a Summer, a sui generis 1961 collaboration between sociologist Edgar Morin and documentary filmmaker and anthropologist Jean Rouch, is considered a pioneering work of cinéma-vérité. That term—coined by Morin himself—gets thrown around a lot, but what does it really mean? In this clip from a new video interview for Criterion’s release of Chronicle, NYU professor of anthropology Faye Ginsburg explains cinéma-vérité, how it differs from the concurrent movement known as Direct Cinema, and how Morin and Rouch, after meeting on a festival jury in Florence in 1959, decided to work together to use filmmaking as a tool for exploring the truth.
How Jane Fonda’s Feminist Awakening Collided with Klute
The Oscar-winning actor remembers how her heightened political consciousness in the early 1970s led to her initial hesitation to take on the leading role in Alan J. Pakula’s psychological thriller.
Agnieszka Holland’s Ironic Slant on the Unspeakable
The acclaimed Polish director explains how her international breakthrough film, Europa Europa, was inspired by a desire to tell a different, less predictable kind of Holocaust story.