Current

An online magazine covering film culture past and present

Werckmeister Harmonies: Dark Side of the Earth
Werckmeister Harmonies: Dark Side of the Earth

Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.

By Dennis Lim

Saint Omer: Shades of Motherhood
Saint Omer: Shades of Motherhood

In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.

By Jennifer Padjemi

To Die For: You’re Not Anybody in America Unless You’re on TV
To Die For: You’re Not Anybody in America Unless You’re on TV

In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.

By Jessica Kiang

Trash and Treasure at the Razzies
Trash and Treasure at the Razzies

What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

By Mark Asch

Molly Manning Walker’s Top 10
Molly Manning Walker’s Top 10

The award-winning writer and director of How to Have Sex shares her love for Carol Reed, discusses her favorite Adam Sandler performance, and names her ultimate feel-good movie.

How Dweller Charts a Path Through Black Queer Spaces
How Dweller Charts a Path Through Black Queer Spaces

Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

By Dessane Lopez Cassell

The Runner: Cycles and Circles of Desire
The Runner: Cycles and Circles of Desire

One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

By Ehsan Khoshbakht

The Criterion Channel’s April 2024 Lineup

Channel Calendars

The Criterion Channel’s April 2024 Lineup

Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Cinema Revolutionary: Fernando de Fuentes in Morelia
Cinema Revolutionary: Fernando de Fuentes in Morelia

The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.

By Imogen Sara Smith

All the Beauty and the Bloodshed: The Highest Stakes
All the Beauty and the Bloodshed: The Highest Stakes

In this profoundly emotional portrait of artist Nan Goldin, director Laura Poitras explores how her subject’s creative sensibility and commitment to activism spring from the same source.

By Sarah Schulman

Becoming Hou Hsiao-hsien
Becoming Hou Hsiao-hsien

Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.

By Sean Gilman

The Roaring Twenties: Into the Past
The Roaring Twenties: Into the Past

Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.

By Mark Asch

Video

Room Tone 2023
On Film  – 25 Dec 2023