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Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew—Team Zissou—set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent Jaguar Shark that killed Zissou’s partner during the documentary filming of their latest adventure.
27 May 2014
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No matter what genre he worked in, Howard Hawks played by his own rules, and never was this more evident than in his first western, the rowdy and whip-smart Red River.
Kiarostami has constructed an enigmatic but crystalline investigation of affection and desire as complex as his masterful Close-up and Certified Copy in its engagement with the workings of the mercurial human heart.
Kirk Douglas gives the fiercest performance of his career as Chuck Tatum, an amoral newspaper reporter who washes up in dead-end Albuquerque, happens upon the scoop of a lifetime, and will do anything to keep getting the lurid headlines.
Seamlessly interweaving archival war footage with a fictional narrative, this immersive account of one twenty-year-old’s journey from basic training to the front lines of D-day brings to life all the terrors and isolation of war with jolting authenticity.
13 May 2014
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Before he turned to the story of Joan of Arc, the Danish cinema genius Carl Theodor Dreyer fashioned this ahead-of-its-time examination of domestic life.
Early in his career, Don Siegel made his mark with this sensational and high-octane but economically constructed drama set in a maximum-security penitentiary.
The ultimate Italian road comedy, Il sorpasso stars the unlikely pair of Vittorio Gassman and Jean-Louis Trintignant as, respectively, a waggish, freewheeling bachelor and the straitlaced law student he takes on a madcap trip from Rome to Tuscany.
Lars von Trier became an international sensation with this galvanizing realist fable about sex and spiritual transcendence.
Harold Lloyd’s biggest box-office hit was this silent comedy gem, featuring the befuddled everyman at his eager best as a new college student.
An ambitiously constructed, elegantly photographed meditation on adolescence, the first full-length film by director David Gordon Green features remarkable performances from an award-winning ensemble cast.
Featuring sensuous cinematography, a lush score, and an award-winning central performance by the great Toni Servillo, this transporting experience by the brilliant Italian director Paolo Sorrentino is a breathtaking Felliniesque tale of decadence and lost love.
By the midsixties, Ingmar Bergman had already conjured many of the cinema’s most unforgettable images. But with the radical Persona, this supreme artist attained new levels of visual poetry.
The Hidden Fortress delivers Kurosawa’s trademark deft blend of wry humor, breathtaking action, and compassionate humanity.
Errol Morris turns his camera on one of the most fascinating men in the world: the pioneering astrophysicist Stephen Hawking, afflicted by a debilitating motor neuron disease that has left him without a voice or the use of his limbs.
Hailed as one of the finest films ever made, Jules and Jim charts, over twenty-five years, the relationship between two friends and the object of their mutual obsession.
This deadpan tragicomedy about a group of impoverished, outcast artists living the bohemian life in Paris is among the most beguiling films by Finnish director Aki Kaurismäki.
The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions generally ill equipped to preserve their own cinema history.
These are the three films that put Portuguese director Pedro Costa on the map: spare, painterly portraits of battered, largely immigrant lives in the slums of Fontainhas, a neighborhood on the outskirts of Lisbon.
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules.
Fassbinder’s The Marriage of Maria Braun, Lola, and Veronika Voss—the BRD (Bundesrepublik Deutschland) Trilogy—would garner him the international acclaim he had always yearned for and place his name foremost in the canon of New German Cinema.
Years before Akira Kurosawa changed the face of cinema with such iconic works as Rashomon, Seven Samurai, and Yojimbo, he made his start in the Japanese film industry with four popular and exceptional works, created as World War II raged.
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Amid Japan’s economic collapse and U.S. occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety in this series of pensive, topical dramas.
Filmed almost entirely on cunningly designed studio sets, in brilliant color and widescreen, The Ballad of Narayama is a stylish and vividly formal work from Japan’s cinematic golden age, directed by the dynamic Keisuke Kinoshita.
Immediately suppressed by the Soviets in 1966, Andrei Tarkovsky’s epic masterpiece is a sweeping medieval tale of Russia’s greatest icon painter.
A mysterious writer of poison-pen letters plagues a French provincial town, unwittingly exposing the collective suspicion and rancor seething beneath the community’s calm surface.
One of the first French films to address the issue of collaboration during the German occupation, Louis Malle’s brave and controversial Lacombe, Lucien traces a young peasant’s journey from potential Resistance member to Gestapo recruit.
A timeless evocation of childhood innocence corrupted, René Clément’s mythical and heartbreakingly real Forbidden Games tells the story of a young girl orphaned by war and the farm boy she joins in a fantastical world of macabre play.
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions) in his surreal documentary-fiction collision WR: Mysteries of the Organism.
With its lewd abandon and sketch-comedy perversity, Makavejev’s cult staple Sweet Movie is a full-throated shriek in the face of bourgeois complacency and movie watching.
In Seijun Suzuki’s tragic love story, Harumi, volunteering as a “comfort woman” on the Manchurian front, where she is expected to service hundreds of soldiers, is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita’s direct subordinate.
When a mysterious stranger muscles into two rival yakuza gangs, Tokyo’s underworld explodes with violence. Youth of the Beast was a breakthrough for director Seijun Suzuki, introducing the flamboyant colors, hallucinatory images, and striking compositions that would become his trademark.
Rainer Werner Fassbinder’s controversial, fifteen-hour-plus epic follows the hulking, childlike ex-convict Franz Biberkopf (Günter Lamprecht) as he attempts to “become an honest soul” amid the corrosive urban landscape of Weimar-era Germany.
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Richard E. Grant is the endlessly suave Dennis Bagley, a high-strung advertising executive whose shoulder sprouts an evil, talking boil. This caustic satire reunites the talented team behind the cult classic Withnail and I to create a tour de force of verbal jousting and physical comedy.
Reggae superstar Jimmy Cliff is Ivan, a rural Jamaican musician who journeys to the city of Kingston in search of fame and fortune in The Harder They Come, which brought the catchy and subversive rhythms of the Rastas to the U.S. in the early 1970s.
Narrator: “A masterpiece of modern cinema. The scene in which the child asks if Schwarzenegger has a tumor will stay with me forever.”
Federico Fellini’s wife Giulietta Masina plays Gelsomina, a naive girl sold into the employ of a brutal strongman in a traveling circus, in this poetic fable of love and cruelty, winner of the 1956 Academy Award for Best Foreign Film.
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster.
Dreyer’s The Passion of Joan of Arc, in which Renée Falconetti gives one of the greatest performances ever recorded on film, convinced the world that movies could be art.
An aging actor returns to a small town with his troupe and reunities with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all, in Yasujiro Ozu’s 1934 silent classic and his 1959 color remake.
Shotgun weddings, kidnapping, attempted murder, emergency dental work—the things Don Vincenzo will do to restore his family’s honor! Pietro Germi’s Seduced and Abandoned was the follow-up to his sensation Divorce Italian Style, and in many ways it’s even more audacious.
Whether seen as an exacting character portrait or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.
Maverick filmmaker Paul Morrissey’s Flesh for Frankenstein reevaluates the horror film, infusing it with satiric wit and sexuality. Morrissey’s tale of the mad Baron Frankenstein and his perverse creative urges was heavily edited upon initial release; this is the restored director’s cut.
In Paul Morrissey’s brash mixture of humor, horror, and sex, Blood for Dracula, the infamous count searches Italy for virgin blood.
After a young theology student flees a hit-and-run accident, he is plagued by a mysterious, diabolical doppelgänger. But all possible escape routes lead straight to hell—literally. The gory Jigoku created aftershocks that are still reverberating in contemporary world horror cinema.
Benjamin Christensen’s legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Häxan is a witches’ brew of the scary, gross, and darkly humorous.
A unique, enthralling cinematic experience, Teshigahara’s Antonio Gaudí, less a documentary than a visual poem, takes viewers on a tour of Gaudí’s truly spectacular architecture.
In his three fiction features—Who Are You, Polly Maggoo?, Mr. Freedom, and The Model Couple—William Klein skewers the fashion industry, American empire, and governmental mind control with hilarious, cutting aplomb.
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This first film by the legendary Hideo Gosha is among the most canonized chambara (sword-fighting) films.
This Freudian tale of adolescent sexuality set in a postapocalyptic world of shifting identities and talking animals is one of Malle’s most experimental films and a cinematic daydream like no other.
The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s visual tour de force, a formally adventurous examination of alienation in contemporary life.
In turn-of-the-century Sweden, four men and four women attempt to navigate the laws of attraction. During a weekend in the country, the women collude to force the men’s hands in matters of the heart.
In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father. À nos amours is one of Maurice Pialat’s greatest achievements.
These three groundbreaking films helped usher in the Polish School movement and have often been regarded as a trilogy. But each boldly stands on its own—a testament to the resilience of the human spirit and the struggle for personal and national freedom.
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Ernest Hemingway’s gripping short story “The Killers” has fascinated readers and filmmakers for generations. The Criterion Collection presents all three film versions of this classic tale of amorality.
Criterion is proud to present these Dreyer masterpieces on DVD for the first time, with brand new digital transfers. Each is an intense exploration of the clash between individual desire and social expectations, with Dreyer’s famously perfectionist attention to detail shining throughout.
One of the all-time comedy classics, René Clair’s À nous la liberté tells the story of Louis, an escaped convict who becomes a wealthy industrialist. Unfortunately, his past returns (in the form of old jail pal Emile) to upset his carefully laid plans.
By turns charming and inventive, René Clair’s lyrical masterpiece about the journey of a winning lottery ticket had a profound impact on not only the Marx Brothers and Charlie Chaplin but the American musical as a whole.
Director Jean-Luc Godard’s sly, playful “neorealist musical—that is, a contradiction in terms” finds his signature wit and intellectual acumen applied to the story of an exotic dancer attempting to have a child with her unwilling lover.
Louis Malle’s critically acclaimed Murmur of the Heart gracefully combines elements of comedy, drama, and autobiography in a candid portrait of a precocious adolescent boy’s sexual maturation. Both shocking and deeply poignant, this is one of the finest coming-of-age films ever made.