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Based on a shocking true story and filmed in documentary-style, The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love.
Merchant Ivory Productions, led by director James Ivory and producer Ismail Merchant, became a household name with A Room with a View, the first of their extraordinary adaptations of E. M. Forster novels.
This affectionate farce from François Truffaut about the joys and strife of moviemaking is one of his most beloved films.
A decade after he broke through with Breaker Morant, Australian director Bruce Beresford made another acclaimed film about the effects of colonialism on the individual.
Two-bit hustler Harry Fabian (Richard Widmark) longs for “a life of ease and plenty.” Trailed by an inglorious history of go-nowhere schemes, he tries to hatch a lucrative plan with a famous wrestler.
Oscar winner Marion Cotillard received another nomination for her searing, deeply felt performance as a working-class woman desperate to hold on to her factory job, in this gripping film from master Belgian directors Jean-Pierre and Luc Dardenne.
Brian De Palma ascended to the highest ranks of American suspense filmmaking with this virtuoso, explicit erotic thriller.
An astounding array of talent came together for the big-screen adaptation of John Fowles’s novel The French Lieutenant’s Woman, a postmodern masterpiece that had been considered unfilmable.
Director Bruce Beresford garnered international acclaim for this riveting drama set during a dark period in his country’s colonial history, and featuring passionate performances by Edward Woodward, Bryan Brown, and Jack Thompson.
Before he stunned the cinematic world with the epic The Decalogue and the Three Colors trilogy, the great Polish filmmaker Krzysztof Kieślowski made his first work of metaphysical genius, Blind Chance.
A wild horse saves a young boy’s life after a terrifying shipwreck and the two become unlikely friends in Carroll Ballard’s cinematic tour de force, adapted from Walter Farley’s classic children’s novel.
This mesmerizing debut by the great Swedish director Jan Troell is an epic bildungsroman and a multilayered representation of early twentieth-century Sweden.
Stephen Frears was at the forefront of the British cinematic revival of the mid-1980s, and the delightfully transgressive My Beautiful Laundrette is his greatest triumph of the period.
A cornerstone of the French New Wave, the first feature from Alain Resnais is one of the most influential films of all time.
An island off the New England coast, summer of 1965. Two twelve-year-olds, Sam and Suzy, fall in love, make a secret pact, and run away together into the wilderness.
Ernest Hemingway’s simple but gripping short tale “The Killers” is a model of economical storytelling. Two directors adapted it into unforgettably virile features.
A girl on the verge of womanhood finds herself in a sensual fantasyland of vampires, witchcraft, and other threats in this eerie and mystical movie daydream.
The Narrator Returns: “If you don't cry during this movie, then you have no fucking soul.”
In one of the best performances of his legendary career, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle.
Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold.
Tatsuya Nakadai and Toshiro Mifune star in the story of a wandering samurai who exists in a maelstrom of violence. A gifted swordsman plying his craft during the turbulent final days of shogunate rule in Japan, Ryunosuke (Nakadai) kills without remorse or mercy.
With a radical take on narrative, disturbing yet beautiful cinematography, and a highly sophisticated use of on- and offscreen sound, Martel turns her tale of a decaying bourgeois family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel.
In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna.
Seemingly off-the-cuff yet poetically constructed, these films are humane, sometimes wry, always engaging tributes to music, food, and all sorts of regionally specific delights.
In the late eighties, Aki Kaurismäki, a master of the deadpan, fashioned a waggish fish-out-of-water tale about a U.S. tour by “the worst rock-and-roll band in the world.”
Makavejev’s films about political and sexual liberation were revolutionary, raucous, and ribald. Across these first three films, he investigates love, death, and work; the legacy of war and the absurdity of daily life in a Communist state; criminology and hypnosis; strudels and strongmen.
These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood, as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.”
These three independent films showed off Samuel Fuller’s genre diversity, gutter wit, and subversive force, and pointed the way to a controversial career in studio moviemaking.
Over the past four decades, Belgian director Chantal Akerman has created one of cinema’s most distinctive bodies of work—formally daring, often autobiographical films about people and places, time and space.
From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules.
Fassbinder’s The Marriage of Maria Braun, Lola, and Veronika Voss—the BRD (Bundesrepublik Deutschland) Trilogy—would garner him the international acclaim he had always yearned for and place his name foremost in the canon of New German Cinema.
Years before Akira Kurosawa changed the face of cinema with such iconic works as Rashomon, Seven Samurai, and Yojimbo, he made his start in the Japanese film industry with four popular and exceptional works, created as World War II raged.
Amid Japan’s economic collapse and U.S. occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety in this series of pensive, topical dramas.
Immediately suppressed by the Soviets in 1966, Andrei Tarkovsky’s epic masterpiece is a sweeping medieval tale of Russia’s greatest icon painter.
A mysterious writer of poison-pen letters plagues a French provincial town, unwittingly exposing the collective suspicion and rancor seething beneath the community’s calm surface.
One of the first French films to address the issue of collaboration during the German occupation, Louis Malle’s brave and controversial Lacombe, Lucien traces a young peasant’s journey from potential Resistance member to Gestapo recruit.
A timeless evocation of childhood innocence corrupted, René Clément’s mythical and heartbreakingly real Forbidden Games tells the story of a young girl orphaned by war and the farm boy she joins in a fantastical world of macabre play.
With its lewd abandon and sketch-comedy perversity, Makavejev’s cult staple Sweet Movie is a full-throated shriek in the face of bourgeois complacency and movie watching.
In Seijun Suzuki’s tragic love story, Harumi, volunteering as a “comfort woman” on the Manchurian front, where she is expected to service hundreds of soldiers, is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita’s direct subordinate.
Rainer Werner Fassbinder’s controversial, fifteen-hour-plus epic follows the hulking, childlike ex-convict Franz Biberkopf (Günter Lamprecht) as he attempts to “become an honest soul” amid the corrosive urban landscape of Weimar-era Germany.
Richard E. Grant is the endlessly suave Dennis Bagley, a high-strung advertising executive whose shoulder sprouts an evil, talking boil. This caustic satire reunites the talented team behind the cult classic Withnail and I to create a tour de force of verbal jousting and physical comedy.
Reggae superstar Jimmy Cliff is Ivan, a rural Jamaican musician who journeys to the city of Kingston in search of fame and fortune in The Harder They Come, which brought the catchy and subversive rhythms of the Rastas to the U.S. in the early 1970s.
The Narrator Returns: “A masterpiece of modern cinema. The scene in which the child asks if Schwarzenegger has a tumor will stay with me forever.”
Shotgun weddings, kidnapping, attempted murder, emergency dental work—the things Don Vincenzo will do to restore his family’s honor! Pietro Germi’s Seduced and Abandoned was the follow-up to his sensation Divorce Italian Style, and in many ways it’s even more audacious.
Maverick filmmaker Paul Morrissey’s Flesh for Frankenstein reevaluates the horror film, infusing it with satiric wit and sexuality. Morrissey’s tale of the mad Baron Frankenstein and his perverse creative urges was heavily edited upon initial release; this is the restored director’s cut.
In Paul Morrissey’s brash mixture of humor, horror, and sex, Blood for Dracula, the infamous count searches Italy for virgin blood.
Benjamin Christensen’s legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Häxan is a witches’ brew of the scary, gross, and darkly humorous.
In his three fiction features—Who Are You, Polly Maggoo?, Mr. Freedom, and The Model Couple—William Klein skewers the fashion industry, American empire, and governmental mind control with hilarious, cutting aplomb.
The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s visual tour de force, a formally adventurous examination of alienation in contemporary life.
These three groundbreaking films helped usher in the Polish School movement and have often been regarded as a trilogy. But each boldly stands on its own—a testament to the resilience of the human spirit and the struggle for personal and national freedom.
One of the all-time comedy classics, René Clair’s À nous la liberté tells the story of Louis, an escaped convict who becomes a wealthy industrialist. Unfortunately, his past returns (in the form of old jail pal Emile) to upset his carefully laid plans.
By turns charming and inventive, René Clair’s lyrical masterpiece about the journey of a winning lottery ticket had a profound impact on not only the Marx Brothers and Charlie Chaplin but the American musical as a whole.
Director Jean-Luc Godard’s sly, playful “neorealist musical—that is, a contradiction in terms” finds his signature wit and intellectual acumen applied to the story of an exotic dancer attempting to have a child with her unwilling lover.
Louis Malle’s critically acclaimed Murmur of the Heart gracefully combines elements of comedy, drama, and autobiography in a candid portrait of a precocious adolescent boy’s sexual maturation. Both shocking and deeply poignant, this is one of the finest coming-of-age films ever made.
A Nazi U-boat crew, headed by the ruthless Eric Portman, is stranded in Canada during the thick of World War II in Michael Powell and Emeric Pressburger’s quick-witted wartime thriller, 49th Parallel.
In Bernardo Bertolucci’s stunning debut, the brutalized corpse of a Roman prostitute is found along the banks of the Tiber River. The police round up a handful of possible suspects and interrogate them, one by one, each account bringing them closer to the killer.
Oscar winner for Best Foreign Language Film, Nights of Cabiria is the tragic story of a naive prostitute searching for true love in the seediest sections of Rome.
In Pietro Germi’s hilarious and cutting satire of Sicilian male-chauvinist culture, Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca).
At an Austrian boys’ boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Young Törless is adapted from Robert Musil’s acclaimed novel.
The Narrator Returns: “StudioCanal had to take the best titles, didn't they?”