The Criterion Collection

Tokyo Drifter

Seijun Suzuki

Snufkin: “A turning point in my life, seeing this flick. Mega-stylish, hilarious and rockin' all-around.”

Fiend Without a Face

Arthur Crabtree

Snufkin: “Surprisingly creepy B-movie, featuring a really tense siege!”

The Sword of Doom

Kihachi Okamoto

Snufkin: “The ultimate in Samurai nihilism. ”

Monsters and Madmen

Snufkin: “4 top of the line B-productions. You get Karloff giving his all in two of them, and science gone awry in the others!”

Blast of Silence

Allen Baron

Snufkin: “Loneliness, heartbreak and murder within the cold urban hell of 1950's New York. Yowza.”

The Earrings of Madame de . . .

Max Ophuls

Snufkin: “Own it, but have yet to see it...shameful, I know.”

Lola Montès

Max Ophuls

Snufkin: “Once again, another Ophuls film I own yet haven't seen. A bad trend I'm starting. >_<”

The Thin Red Line

Terrence Malick

Snufkin: “Heart-breakingly beautiful, an overwhelming hymn to men embroiled in a war they've no wish for and to it's horrors.”

House

Nobuhiko Obayashi

Snufkin: “To quote Fantasia Film Festival 2009 "Acid! THY NAME IS HOUSE!".”

Cronos

Guillermo del Toro

Snufkin: “A fascinating fairy-tale. del Toro's debut is definitely a treat, full of religious inner-wrestling and nifty effects. ”

Carlos

Olivier Assayas

Island of Lost Souls

Erle C. Kenton

Snufkin: “Absolutely ghastly, beautiful and brilliant.”

Rebel Samurai: Sixties Swordplay Classics

Snufkin: “Essential viewing for Samurai fans. Hard-edged flicks with plenty of variety. Be it comedy, social commentary, or just a badass time, this set has it.”