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Dual-format editions include both Blu-ray and DVD versions of a film in a single package. All supplements are available across both formats.
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Brian De Palma ascended to the highest ranks of American suspense filmmaking with this virtuoso, explicit erotic thriller.
This affectionate farce from François Truffaut about the joys and strife of moviemaking is one of his most beloved films.
An island off the New England coast, summer of 1965. Two twelve-year-olds, Sam and Suzy, fall in love, make a secret pact, and run away together into the wilderness.
Stephen Frears was at the forefront of the British cinematic revival of the mid-1980s, and the delightfully transgressive My Beautiful Laundrette is his greatest triumph of the period.
A girl on the verge of womanhood finds herself in a sensual fantasyland of vampires, witchcraft, and other threats in this eerie and mystical movie daydream.
Gregory and Shawn’s unique contributions to the cinematic landscape are shape-shifting, challenging, and entertaining works about the process of creation.
The master of the political thriller, Costa-Gavras became an instant phenomenon after the mammoth success of Z, and he quickly followed it with the equally riveting The Confession.
Costa-Gavras puts the United States’ involvement in Latin American politics under the microscope in this arresting thriller.
Bette Midler exploded onto the screen with her take-no-prisoners performance in this quintessential film about fame and addiction from director Mark Rydell.
Charlie Chaplin’s masterful drama about the twilight of a former vaudeville star is among the writer-director’s most touching films. Chaplin plays Calvero, a once beloved musical-comedy performer, now a washed-up alcoholic who lives in a small London flat.
A work of meticulous journalism and gripping drama, it recounts the disturbing tale of Randall Dale Adams, a drifter who was charged with the murder of a Dallas police officer and sent to death row, despite evidence that he did not commit the crime.
With his trademark mixture of empathy and scrutiny, Errol Morris has changed the face of documentary filmmaking in the United States, and his career began with two remarkable tales of American eccentricity.
With its relentless pace, expressive cinematography by the great Russell Metty, and punchy, clever script by Charles Lederer and Ben Hecht, this is an overlooked treasure from the heyday of 1940s film noir.
A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilliantly disturbing tale of the supernatural.
Federico Fellini’s career achieved new levels of eccentricity and brilliance with this remarkable, controversial, extremely loose adaptation of Petronius’s classical Roman satire, written during the reign of Nero.
After a decade in the wilds of avant-garde and early video experimentation, Jean-Luc Godard returned to commercial cinema with this star-driven work of social commentary, while remaining defiantly intellectual and formally cutting-edge.
This is a faithful big-screen adaptation of Richard Adams’s classic British dystopian novel about a community of rabbits under terrible threat from modern forces.
One of the first and best-loved films of this period in his career is The Bitter Tears of Petra von Kant, which balances a realistic depiction of tormented romance with staging that remains true to the director’s roots in experimental theater.
In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna.
This revelatory drama was named the best film of the 1990s in a Village Voice poll of more than fifty critics.
This multilayered comedy from Sydney Pollack follows the elaborate deception of a down-on-his-luck New York actor who poses as a woman to get a soap opera gig.
With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art.
John Ford takes on the legend of the O.K. Corral shoot-out in this multilayered, exceptionally well-constructed western, one of the director’s very best films.
This genuinely frightening, exquisitely made supernatural gothic stars Deborah Kerr as an emotionally fragile governess who comes to suspect that there is something very, very wrong with her precocious new charges.
Roman Polanski imbues his unflinchingly violent adaptation of William Shakespeare’s tragedy of ruthless ambition and murder in medieval Scotland with grit and dramatic intensity.
This smash road comedy from Oscar-winning director Alfonso Cuarón is a funny and moving look at human desire.
French director Jacques Demy didn’t just make movies—he created an entire cinematic world. Demy launched his glorious feature filmmaking career in the sixties, a decade of astonishing invention in his national cinema.
Lars von Trier became an international sensation with this galvanizing realist fable about sex and spiritual transcendence.
Harold Lloyd’s biggest box-office hit was this silent comedy gem, featuring the befuddled everyman at his eager best as a new college student.
By the midsixties, Ingmar Bergman had already conjured many of the cinema’s most unforgettable images. But with the radical Persona, this supreme artist attained new levels of visual poetry.
Launching us from a grave past to a space-age future, these two thrilling double features, from producers Richard and Alex Gordon, spin classic tales of hair-raising homicidal mania and intrepid, death-defying exploration.
Director Jean-Luc Godard’s sly, playful “neorealist musical—that is, a contradiction in terms” finds his signature wit and intellectual acumen applied to the story of an exotic dancer attempting to have a child with her unwilling lover.
In this acclaimed adaptation of the novel by legendary Southern writer Flannery O’Connor, John Huston brings to life a world of vivid, poetic American eccentricity. Brad Dourif, in an impassioned performance, is Hazel Motes, who, fresh out of the army, attempts to open the Church Without Christ.
W. C. Fields’s prolific career placed him at the forefront of slapstick comedy. Gathered here are six gems that feature the comic genius at his peak.
Prince Ahmad, cast out of Bagdad by the nefarious Jaffar, joins forces with the scrappy thief Abu to win back his royal place and the heart of a princess in Alexander Korda’s The Thief of Bagdad, an eye-popping special-effects pioneer and one of the most spectacular fantasy films ever made.
Middle-aged Mr. Badii drives through the hilly outskirts of Tehran, searching for someone to rescue or bury him, in Iranian auteur Abbas Kiarostami’s emotionally complex meditation on life and death.
A poet dreams of three women—a mechanical performing doll, a bejeweled siren, and the consumptive daughter of a famous composer—all of whom break his heart in different ways. Powell and Pressburger create a phantasmagoric marriage of cinema and opera in this one-of-a-kind classic.
A stylish paean to female destructiveness, De Palma’s first foray into horror voyeurism is a stunning amalgam of split-screen effects, bloody birthday cakes, and a chilling score by frequent Hitchcock collaborator Bernard Herrmann.
The mesmerizing, utterly unclassifiable science films of Jean Painlevé (1902-89) have to be seen to be believed: delightful, surrealist-influenced dream works that are also serious science. This anthology features twenty-three of Painlevé’s shorts.
Pier Paolo Pasolini’s notorious transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time,
Considered one of the greatest films ever made, The Rules of the Game (La règle du jeu), by Jean Renoir, is a scathing critique of corrupt French society cloaked in a comedy of manners.
Robinson Crusoe on Mars tells the story of U.S. astronaut Commander “Kit” Draper (Paul Mantee), who must fight for survival when his spaceship crash-lands on the barren waste of Mars, a pet monkey his only companion.
Sensationally modern, G. W. Pabst’s lurid, controversial melodrama follows the downward spiral of the fiery, brash, yet innocent showgirl Lulu (Louise Brooks), whose sexual vivacity has a devastating effect on everyone she comes in contact with.
Leigh’s depiction of England’s underbelly is an amalgam of black comedy and doomsday prophecy that took the best director and best actor prizes at the 1993 Cannes Film Festival.
By turns charming and inventive, René Clair’s lyrical masterpiece about the journey of a winning lottery ticket had a profound impact on not only the Marx Brothers and Charlie Chaplin but the American musical as a whole.
In René Clair’s irrepressibly romantic portrait of the crowded tenements of Paris, a street singer and a gangster vie for the love of a beautiful young woman. An international sensation upon its release, Under the Roofs of Paris is an exhilarating celebration of filmmaking.
One of the all-time comedy classics, René Clair’s À nous la liberté tells the story of Louis, an escaped convict who becomes a wealthy industrialist. Unfortunately, his past returns (in the form of old jail pal Emile) to upset his carefully laid plans.
Paul Schrader’s visually stunning, collagelike portrait of acclaimed Japanese author and playwright Yukio Mishima investigates the inner turmoil and contradictions of a man who attempted an impossible harmony between self, art, and society.
Like a Looney Tunes rendition of The Big Sleep gone New Wave, this chaotic crime thriller and acidly funny critique of consumerism features Anna Karina as the most brightly dressed private investigator in film history, searching for a former lover who might have been assassinated.
In this captivating, skewed World War II drama from Nagisa Oshima, David Bowie regally embodies the character Celliers, a British officer interned by the Japanese as a POW. This was one of Oshima’s greatest successes.
Based on a novel by Vladislav Vančura, this stirring and poetic depiction of a feud between two rival medieval clans is a fierce, epic, and meticulously designed evocation of the clashes between Christianity and paganism, humankind and nature, love and violence.
A romantic deadbeat has a wayward crush on a handsome Mexican immigrant in Mala Noche, Gus Van Sant’s important prelude to the New Queer Cinema of the nineties and a fascinating capsule from a period and place that continues to haunt its director’s work.
In one of Douglas Sirk’s most flamboyant master classes in melodrama, reckless playboy Bob Merrick (Rock Hudson) and a local doctor’s widow, Helen (Jane Wyman), find themselves inextricably linked amid a series of increasingly wild twists, turns, trials, and tribulations.
A young provincial in search of adventure stumbles into the subterranean world of sadomasochism when he is implicated in a burglary of a Paris apartment in Barbet Schroeder’s Maîtresse.
Ingmar Bergman’s The Magician (Ansiktet) is an engaging, brilliantly conceived tale of deceit from one of cinema’s premier illusionists, a diabolically clever battle of wits that’s both frightening and funny.
A tender and humorous look at a young woman’s journey from the first pangs of romance to its inevitable disappointments, Loves of a Blonde immediately became a classic of the Czech New Wave and earned Milos Forman the first of his Academy Award nominations.
One of the great translations of literature into film, David Lean’s Great Expectations brings Charles Dickens’s masterpiece to robust on-screen life.
An epic on the grandest possible scale, Visconti’s opulent masterpiece stars Burt Lancaster as an aging prince watching his culture and fortune wane in the face of a new generation during the tumultuous years of Italy’s Risorgimento.
Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical.
In Peter Weir’s The Last Wave, Richard Chamberlain stars as Australian lawyer David Burton, who takes on the defense of a group of aborigines accused of killing one of their own.