Criterion Collection - Online Cinematheque

Barbara Kopple’s Academy Award–winning Harlan County USA unflinchingly documents a grueling coal miners’ strike in a small Kentucky town. With unprecedented access, Kopple and her crew captured the miners’ sometimes violent struggles with strikebreakers, local police, and company thugs.

A thief, murderer, and charming lady-killer, Iwao Enokizu (Ken Ogata) is on the run from the police. Director Shohei Imamura turns this fact-based story of his seventy-eight-day killing spree into a cold, perverse, and diabolically funny tale of the primitive coexisting with the modern.

One of the CIA’s top international operatives, Miles Kendig (Walter Matthau) suddenly finds himself relegated to a desk job in an agency power play. Unwilling to go quietly, Kendig writes a memoir exposing the innermost secrets of every major intelligence agency in the world.

Carlos Saura began what would become his trilogy with this depiction of a single dress rehearsal for choreographer Antonio Gades’s adaptation of poet/playwright Federico García Lorca’s tale of passionate revenge.

Dazzlingly acted by Alan Bates, Maggie Smith, Anthony Higgins, and Isabelle Adjani, Quartet is the story of a girl who, adrift with her feckless husband amidst the literati of glittering Paris in the 1920s, becomes entrapped by a rich and sybaritic English couple.

Les Blank documents acclaimed German filmmaker Werner Herzog’s ambitious and troubled production of Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle.

A complex journey into time and memory, Chris Marker’s mind-bending free-form travelogue roams from Africa to Japan, guided by associative editing and an unnamed narrator.

Blending east with west, and moving effortlessly between the vibrant world of modern-day India and the splendors of the Raj, Heat and Dust concerns Anne, a young woman drawn to India by her desire to unravel the scandal surrounding her great-aunt’s seduction in the 1920s by a handsome Indian prince.

In 1979, Louis Malle traveled into the heart of Minnesota to capture the everyday lives of the men and women in a prosperous farming community. Six years later, during Ronald Reagan’s second term, he returned to find drastic economic decline.

Based on events from writer-director Malle’s own childhood, Au revoir les enfants is a heartbreaking story of friendship and devastating loss between two boys living in Nazi-occupied France.

Set against the stifling conformity of pre–World War I English society, Maurice is a story of coming to terms with one’s sexuality and identity in the face of disapproval and misunderstanding. Maurice Hall (James Wilby) and Clive Durham (Hugh Grant) find themselves falling in love at Cambridge.

A young man begins an obsessive search for his girlfriend after she mysteriously disappears during their sunny vacation getaway. The Vanishing unfolds with intense precision, culminating in a genuinely chilling finale that has unnerved audiences around the world.

Al Reinert’s visually dazzling documentary For All Mankind is the story of the twenty-four men who traveled to the moon—told in their words, in their voices, using the images of their experiences.

Though she went on to create a string of brilliant films, Jane Campion will always be remembered for her stunning debut feature, Sweetie, which focuses on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, “Sweetie.”

The pinnacle of the decades-long collaboration between producer Ismail Merchant and director James Ivory, Howards End is a luminous vision of E. M. Forster’s cutting 1910 novel about class divisions in Edwardian England.

Lodge Kerrigan’s raw, ravaging Clean, Shaven is a headfirst dive into the mindscape of a schizophrenic as he tries to track down his daughter after he is released from an institution.

In this alternately macabre and mirthful thriller, based on a true-crime story, renowned Mexican director Arturo Ripstein brings a stylish audacity to the tale of the “Lonely Hearts Killers,” a couple who, in the 1940s, posed as brother and sister to lure and murder unsuspecting widows.

Set during Scotland’s national garbage strike of the mid-1970s, Lynne Ramsay’s Ratcatcher explores the experiences of a poor adolescent boy as he struggles to reconcile his dreams and his guilt with the abjection that surrounds him.

Twelve-year-old Anaïs is fat; her sister, Elena, is a teenage beauty. Catherine Breillat’s Fat Girl is a bold, controversial dissection of sibling rivalry and female adolescent sexuality.

The filmmakers of Grey Gardens went back to their vaults of footage to create part two, The Beales of Grey Gardens, a tribute both to these indomitable women, Big and Little Edie Beale, and to the landmark documentary’s legions of fans, who have made them counterculture icons.