Criterion Collection - Online Cinematheque

Federico Fellini satirizes his youth in this carnivalesque portrait of provincial Italy in the Fascist period. His most personal film, the Academy Award–winning Amarcord is one of cinema’s enduring treasures.

Based on events from writer-director Malle’s own childhood, Au revoir les enfants is a heartbreaking story of friendship and devastating loss between two boys living in Nazi-occupied France.

A girl mysteriously disappears on a yachting trip. While her lover and her best friend search for her across Italy, they begin an affair. Antonioni’s penetrating study of the idle upper class offers stinging observations on spiritual isolation and the many meanings of love.

The filmmakers of Grey Gardens went back to their vaults of footage to create part two, The Beales of Grey Gardens, a tribute both to these indomitable women, Big and Little Edie Beale, and to the landmark documentary’s legions of fans, who have made them counterculture icons.

Black Orpheus retells the myth of Orpheus and Eurydice against the madness of Carnival in Rio de Janeiro. With its magnificent color photography and lively soundtrack, this film brought the infectious bossa nova beat to the United States.

Carlos Saura began what would become his trilogy with this depiction of a single dress rehearsal for choreographer Antonio Gades’s adaptation of poet/playwright Federico García Lorca’s tale of passionate revenge.

Starring Shashi Kapoor and Jennifer Kendal, Bombay Talkie is Merchant Ivory’s affectionate, bemused view of Bollywood—India’s huge dream factory. Cameraman Subrata Mitra’s ravishing photography has never been surpassed in any other of James Ivory’s films.

Branded to Kill, the wildly perverse story of the yakuza’s rice-sniffing “No. 3 Killer,” is Seijun Suzuki at his delirious best.

Les Blank documents acclaimed German filmmaker Werner Herzog’s ambitious and troubled production of Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle.

In Herk Harvey’s macabre masterpiece, Mary Henry survives a drag race in a rural Kansas town, then takes a job as a church organist in Salt Lake City. En route, she becomes haunted by a bizarre apparition that compels her to an abandoned lakeside pavilion.

Lodge Kerrigan’s raw, ravaging Clean, Shaven is a headfirst dive into the mindscape of a schizophrenic as he tries to track down his daughter after he is released from an institution.

A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand (The Umbrellas of Cherbourg) and cameos by Jean-Luc Godard and Anna Karina.

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Wry and tender, Jirí Menzel’s Academy Award-winning Closely Watched Trains is a masterpiece of human observation.

Veronica and Boris are blissfully in love, until the eruption of World War II tears them apart. The Soviet cinema classic The Cranes Are Flying won the Palme d’Or at the 1958 Cannes Film Festival.

In Carlos Saura’s exquisite Cría cuervos . . ., Ana Torrent (the dark-eyed beauty from The Spirit of the Beehive) portrays the disturbed eight-year-old Ana, living in Madrid with her two sisters and mourning the death of her mother, whom she conjures as a ghost (an ethereal Geraldine Chaplin).

In this alternately macabre and mirthful thriller, based on a true-crime story, renowned Mexican director Arturo Ripstein brings a stylish audacity to the tale of the “Lonely Hearts Killers,” a couple who, in the 1940s, posed as brother and sister to lure and murder unsuspecting widows.

In Pietro Germi’s hilarious and cutting satire of Sicilian male-chauvinist culture, Baron Ferdinando Cefalù (Marcello Mastroianni) longs to marry his nubile young cousin Angela (Stefania Sandrelli), but one obstacle stands in his way: his fatuous and fawning wife, Rosalia (Daniela Rocca).

Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter.

Secluded in the French countryside, a brilliant, obsessive doctor attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured face—but at a horrifying price. At once ghastly and lyrical, Eyes Without a Face is a true rarity of horror cinema.

Twelve-year-old Anaïs is fat; her sister, Elena, is a teenage beauty. Catherine Breillat’s Fat Girl is a bold, controversial dissection of sibling rivalry and female adolescent sexuality.