Chantal Akerman
Edition: DVD
Over the past four decades, Belgian director Chantal Akerman has created one of cinema’s most distinctive bodies of work—formally daring, often autobiographical films about people and places, time and space.
Chantal Akerman
1975 • 201 minutes • 1.66:1 • Belgium
Spine: #484 Editions: DVD, Hulu Plus
Whether seen as an exacting character portrait or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.
Chantal Akerman
1978 • 127 minutes • 1.66:1 • France
Editions: Collector’s Sets, Hulu Plus
In one of Akerman’s most penetrating character studies, Anna, an accomplished filmmaker (played by Aurore Clément), makes her way through a series of European cities to promote her latest movie.
Chantal Akerman
1975 • 86 minutes • 1.33:1 • France
Editions: Collector’s Sets, Hulu Plus
In her provocative first feature, Chantal Akerman stars as an aimless young woman who leaves self-imposed isolation to embark on a road trip that leads to lonely love affairs with a male truck driver and a former girlfriend.
Chantal Akerman
1972 • 11 minutes • 1.33:1 • Belgium
Editions: Collector’s Sets, Hulu Plus
In Chantal Akerman’s early short film La chambre, we see the furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back at us. This breakthrough formal experiment is the first film the director made in New York.
Chantal Akerman
1972 • 62 minutes • 1.33:1 • United States
Editions: Collector’s Sets, Hulu Plus
Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux.
Chantal Akerman
1976 • 85 minutes • 1.33:1 • United States
Editions: Collector’s Sets, Hulu Plus
Akerman’s unforgettable time capsule of New York City in the 1970s is also a gorgeous meditation on urban alienation and personal and familial disconnection.
Robert Aldrich
1955 • 106 minutes • 1.66:1 • United States
Spine: #568 Editions: DVD, Blu-ray
Brazen and bleak, Kiss Me Deadly is a film noir masterwork as well as an essential piece of cold war paranoia, and it features as nervy an ending as has ever been seen in American cinema.
Robert Altman
1993 • 187 minutes • 2.35:1 • United States
Spine: #265 Edition: DVD
Epic in scale yet meticulously observed, maverick director Robert Altman’s Short Cuts interweaves the lives of twenty-two characters struggling to find solace and meaning in contemporary Los Angeles.
Robert Altman
1977 • 124 minutes • 2.35:1 • United States
Spine: #230 Editions: DVD, Blu-ray
In a dusty California resort rown, a naïve Southern waif finds her role model in a fellow nurse, but her hero-worship evolves into something stranger and more sinister than either could have anticipated. Robert Altman’s dreamlike masterpiece careens from the humorous to the chilling to the surreal.
Robert Altman
1988 • 353 minutes • 1.33:1 • United States
Spine: #258 Editions: DVD, Hulu Plus
In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news.
Robert Altman
1984 • 90 minutes • 1.33:1 • United States
Spine: #257 Edition: DVD
Based on the original play by Donald Freed and Arnold M. Stone, and starring Philip Baker Hall in a tour de force solo performance, Robert Altman’s Secret Honor is a searing interrogation of the Richard Nixon mystique and an audacious depiction of unchecked paranoia.
Allison Anders, Dean Lent and Kurt Voss
1987 • 83 minutes • 1.33:1 • United States
Spine: #362 Editions: DVD, Hulu Plus
A low-key postpunk diary that took four years to complete, Allison Anders’ Border Radio features legendary rocker Chris D. as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife, a no-nonsense rock journalist, to track him down with the help of his friends.
Lindsay Anderson
1968 • 112 minutes • 1.66:1 • United Kingdom
Spine: #391 Editions: DVD, Blu-ray
Before Kubrick made his mischief iconic in A Clockwork Orange, Malcolm McDowell made a hell of an impression as the insouciant Mick Travis, who, along with his school chums, trumps authority at every turn, finally emerging as a violent savior.
Lindsay Anderson
1963 • 134 minutes • 1.66:1 • United Kingdom
Spine: #417 Editions: DVD, iTunes
One of the finest British films ever made, this benchmark of “kitchen-sink realism” follows the self-defeating professional and romantic pursuits of a miner turned rugby player eking out an existence in drab Yorkshire, played by an astonishing Richard Harris.
Wes Anderson
2001 • 110 minutes • 2.35:1 • United States
Spine: #157 Editions: DVD, Blu-ray
Wes Anderson’s hilarious, touching, and brilliantly stylized study of melancholy and redemption centers around a dysfunctional family of geniuses.
Wes Anderson
1998 • 93 minutes • 2.35:1 • United States
Spine: #65 Editions: DVD, Blu-ray
Tenth grader Max Fischer (Jason Schwartzman) is Rushmore Academy’s most extracurricular student, and its least scholarly, in Wes Anderson’s dazzling sophomore effort—equal parts coming-of-age story, French New Wave homage, and screwball comedy.
Wes Anderson
1996 • 91 minutes • 1.85:1 • United States
Spine: #450 Editions: DVD, Blu-ray
Wes Anderson first illustrated his lovingly detailed, slightly surreal cinematic vision (with cowriter Owen Wilson) in this visually witty and warm portrait of three young misfits.
Wes Anderson
2004 • 118 minutes • 2.35:1 • United States
Spine: #300 Edition: DVD
Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew—Team Zissou—set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent “jaguar shark” that killed Zissou’s partner in Oscar-nominated writer-director Wes Anderson’s adventure-comedy.
Wes Anderson
2007 • 91 minutes • 2.40:1 • United States
Spine: #540 Editions: DVD, Blu-ray
In director Wes Anderson’s The Darjeeling Limited, three estranged American brothers reunite for a meticulously planned, soul-searching train voyage across India one year after the death of their father.
Michelangelo Antonioni
1960 • 145 minutes • 1.77:1 • Italy
Spine: #98 Editions: DVD, Collector’s Sets, Hulu Plus
A girl mysteriously disappears on a yachting trip. While her lover and her best friend search for her across Italy, they begin an affair. Antonioni’s penetrating study of the idle upper class offers stinging observations on spiritual isolation and the many meanings of love.
Michelangelo Antonioni
1962 • 126 minutes • 1.85:1 • Italy
Spine: #278 Editions: DVD, Hulu Plus
The conclusion of Michelangelo Antonioni’s informal trilogy on modern malaise, L’eclisse (The Eclipse) tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) only to drift into a relationship with another (Alain Delon).
Michelangelo Antonioni
1964 • 117 minutes • 1.85:1 • Italy
Spine: #522 Editions: DVD, Blu-ray, Hulu Plus
Michelangelo Antonioni’s 1960s panoramas of contemporary alienation were decade-defining artistic events. Red Desert, his first color film, is perhaps his most epochal, and confirms Antonioni as cinema’s preeminent poet of the modern age.
Michelangelo Antonioni
1982 • 130 minutes • 1.85:1 • Italy
Spine: #585 Editions: DVD, Blu-ray, Hulu Plus
Michelangelo Antonioni’s Identification of a Woman is a body- and soul-baring voyage into one man’s artistic and erotic consciousness.
Leslie Arliss
1943 • 116 minutes • 1.33:1 • United Kingdom
Edition: Collector’s Sets
This tale of treachery put both the Gainsborough melodrama and actor James Mason on the map. The star-to-be plays Lord Rohan, a cruel nobleman who marries the naive and sweet-natured Clarissa (Phyllis Calvert) for the sole purpose of producing an heir.