1
Jean Renoir’s antiwar masterpiece Grand Illusion, hailed as one of the greatest films ever made, stars Jean Gabin and Pierre Fresnay as French soldiers held in a World War I German prison camp.
5
François Truffaut sensitively re-creates the trials of his own difficult childhood in The 400 Blows, the film that marked his emergence as one of Europe’s most brilliant auteurs and signaled the beginning of the French New Wave.
6
Beauty and the Beast is a landmark feat of cinematic fantasy in which master filmmaker Jean Cocteau conjures spectacular visions of enchantment, desire, and death that have never been equaled.
43
William Golding’s classic fable, about a swarm of young boys who, without adult supervision, devolve into chaos after crash landing on a remote island during wartime, becomes an unforgettable work of cinematic horror by Peter Brook.
48
Black Orpheus retells the myth of Orpheus and Eurydice against the madness of Carnival in Rio de Janeiro. With its magnificent color photography and lively soundtrack, this film brought the infectious bossa nova beat to the United States.
56
The best known of Hitchcock’s British films, this civilized spy yarn follows the escapades of Richard Hannay (Robert Donat), who stumbles into a conspiracy that involves him in a hectic chase across the Scottish moors—a chase in which he is both the pursuer and the pursued.
76
From Noël Coward’s play Still Life, legendary filmmaker David Lean deftly explores the thrill, pain, and tenderness of an illicit romance in the dour, gray Britain of 1945.
81
A beautiful ingenue joins a tawdry music hall troupe and quickly becomes its feature attraction in Federico Fellini’s stunning debut film (directed in collaboration with neorealist filmmaker Alberto Lattuada).
85
Cranky Professor Henry Higgins (Leslie Howard) takes a bet that he can turn Cockney guttersnipe Eliza Doolittle (Wendy Hiller) into a “proper lady” in a mere six months in this delightful comedy of bad manners, based on the play by George Bernard Shaw.
116
A general and a princess must dodge enemy clans while smuggling the royal treasure out of hostile territory with two bumbling, conniving peasants at their sides; it’s a spirited adventure that only Akira Kurosawa could create.
138
The murder of a man and the rape of his wife in a forest grove—seen from four different perspectives. Akira Kurosawa’s meditation on the nature of “truth” transformed narrative cinema as we know it.
139
Professor Isak Borg (Victor Sjöström) is forced to face his past in the film that catapulted Ingmar Bergman to the forefront of world cinema.
140
One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema.
144
A tender and humorous look at a young woman’s journey from the first pangs of romance to its inevitable disappointments, Loves of a Blonde immediately became a classic of the Czech New Wave and earned Milos Forman the first of his Academy Award nominations.
173
1943
163 minutes
Color
1.33:1
English
The passions and pitfalls of a lifetime in the military are dramatized in Michael Powell and Emeric Pressburger’s magnificent epic, The Life and Death of Colonel Blimp, which follows the exploits of pristine British soldier Clive Candy (Roger Livesey).
190
Akira Kurosawa’s Throne of Blood reimagines Macbeth in feudal Japan. Starring Kurosawa’s longtime collaborator Toshiro Mifune and the legendary Isuzu Yamada as his ruthless wife, the film tells of a valiant warrior’s savage rise to power and his ignominious fall.
213
As director, producer, and star, Laurence Olivier transfigures Shakespeare’s great historical drama Richard III into a mesmerizing vision of Machiavellian villainy.
215
A husband, a wife, a stranger, a knife: Roman Polanski sets them all adrift on a weekend filled with simmering resentments and gut-churning suspense in his seminal psychological thriller, still one of the greatest feature debuts in film history.
219
Federico Fellini’s wife Giulietta Masina plays Gelsomina, a naive girl sold into the employ of a brutal strongman in a traveling circus, in this poetic fable of love and cruelty, winner of the 1956 Academy Award for Best Foreign Film.