10
A young sister and brother are abandoned in the harsh Australian outback and must learn to cope in the natural world, without their usual comforts, in this hypnotic masterpiece from Nicolas Roeg.
508
These are the three films that put Portuguese director Pedro Costa on the map: spare, painterly portraits of battered, largely immigrant lives in the slums of Fontainhas, a neighborhood on the outskirts of Lisbon.
507
When a suburban teacher and father (James Mason) is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug. This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family.
506
In this magnificently inscrutable late-sixties masterpiece, Marco Ferreri, one of European cinema’s most idiosyncratic auteurs, takes us through the looking glass to one seemingly routine night in the life of an Italian gas mask designer, played by Michel Piccoli.
512
Vivre sa vie was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. Anna Karina plays Nana, a young Parisian who aspires to be an actress but instead ends up a prostitute.
514
With this new director’s cut, Ang Lee reconstructs his original vision for Ride with the Devil, a harrowing, unorthodox Civil War epic, starring Tobey Maguire and Jeffrey Wright.
515
Four Oscar–winning actors—Marlon Brando, Anna Magnani, Joanne Woodward, and Maureen Stapleton—sink their teeth into this enthralling film, which brings together the legendary talents of director Sidney Lumet and writer Tennessee Williams.
513
Three siblings must decide what to do with the country estate and objects they’ve inherited from their mother. From this simple story, Olivier Assayas creates a nuanced, exquisitely made drama about the material of globalized modern living.
517
In our first volume of By Brakhage, we brought twenty-six astonishing works by the avant-garde film pioneer Stan Brakhage to home video. In this second installment, we are proud to present thirty more of Brakhage’s innovative creations, from 1950s films to his final work, from 2003.