54
Al Reinert’s visually dazzling documentary For All Mankind is the story of the twenty-four men who traveled to the moon—told in their words, in their voices, using the images of their experiences.
483
Roman Polanski followed up Knife in the Water with this controversial, chilling tale of psychosis. Catherine Deneuve is Carol, a fragile, frigid young beauty cracking up in her London flat when left alone by her vacationing sister. Repulsion is one of cinema’s most shocking psychological thrillers.
480
Masaki Kobayashi’s mammoth humanist drama is one of the most staggering achievements of Japanese cinema. A raw indictment of its nation’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
481
Like a Looney Tunes rendition of The Big Sleep gone New Wave, this chaotic crime thriller and acidly funny critique of consumerism features Anna Karina as the most brightly dressed private investigator in film history, searching for a former lover who might have been assassinated.
482
In 2 or 3 Things I Know About Her, Jean-Luc Godard beckons us ever closer, whispering in our ears as narrator. About what? Money, sex, fashion, the city, love, language, war: in a word, everything.
484
1975
201 minutes
Color
1.66:1
French
Whether seen as an exacting character portrait or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.
485
The Last Days of Disco is a clever, comic return to the nighttime party scene in early Eighties Manhattan from director Whit Stillman, brimming with his trademark dry humor.
486
In this nightmarish urban odyssey, inner-city police detective Bobby Gold (Joe Mantegna), is following the murder of an elderly Jewish candy-shop owner, which leads him down a path of obscure encounters and clues, as well as profound reckoning with his own self and identity.