Criterion Collection - Online Cinematheque

In The Blood of a Poet, Orpheus, and Testament of Orpheus, Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination.

This trio of rousing action epics reveals a deeply unsettling portrait of the Soviet Union under Stalin, and provided battle-scene blueprints for filmmaking giants from Laurence Olivier in Henry V to Akira Kurosawa in Seven Samurai.

Criterion is proud to present these Dreyer masterpieces on DVD for the first time, with brand new digital transfers. Each is an intense exploration of the clash between individual desire and social expectations, with Dreyer’s famously perfectionist attention to detail shining throughout.

On a beautiful June weekend in 1967, at the height of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll.

I Am Curious—Yellow, one of the most controversial films of all time, is presented here for the first time with its companion piece, I Am Curious—Blue. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary.

With The Adventures of Antoine Doinel, Criterion is proud to present François Truffaut’s celebrated saga in its entirety: the feature films The 400 Blows, Stolen Kisses, Bed and Board, and Love on the Run, and the 1962 short subject, Antoine and Colette, in a special edition five-disc box set.

Fassbinder’s The Marriage of Maria Braun, Lola, and Veronika Voss—the BRD (Bundesrepublik Deutschland) Trilogy—would garner him the international acclaim he had always yearned for and place his name foremost in the canon of New German Cinema.

Utilizing a new cameraman—the incomparable Sven Nykvist—Bergman unleashed Through a Glass Darkly, Winter Light, and The Silence in rapid succession, exposing moviegoers worldwide to a new level of intellectual and emotional intensity.

Near the end of his long and celebrated career, master filmmaker Jean Renoir indulged his lifelong obsession with life-as-theater and directed three majestic films infatuated with the past, love, and artifice.

John Cassavetes has been called a genius, a visionary, and the father of independent film. The five films included here represent his works made outside the Hollywood studio system, on which he was afforded complete control.

Ingmar Bergman’s swan song is his most autobiographical film, a masterpiece combining his trademark melancholy and emotional intensity with a surprising joyfulness and sensuality. The Criterion Collection is proud to present both the theatrical release and the original five-hour television cut.

These three groundbreaking films helped usher in the Polish School movement and have often been regarded as a trilogy. But each boldly stands on its own—a testament to the resilience of the human spirit and the struggle for personal and national freedom.

Laced with autobiographical details, Murmur of the Heart; Lacombe, Lucien; and Au revoir les enfants tell stories of youth, set against the tumult of World War II and postwar France.

Eric Rohmer stood apart from his New Wave contemporaries, like François Truffaut and Jean-Luc Godard, with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. The “Six Moral Tales” unleashed a new voice onto the film world.

Launching us from a grave past to a space-age future, these two thrilling double features, from producers Richard and Alex Gordon, spin classic tales of hair-raising homicidal mania and intrepid, death-defying exploration.

The son of an escaped slave, Robeson managed to become a top-billed movie star during the time of Jim Crow America, headlining everything from fellow pioneer Oscar Micheaux’s silent drama Body and Soul to British studio showcases to socially engaged documentaries.

Hiroshi Teshigahara found his spiritual partner in novelist and screenwriter Kobo Abe, with whom he collaborated on these Kafkaesque portraits of identities in peril, films that captivated mainstream audiences while also touching the edges of the Japanese avant-garde.

Agnès Varda used the skills she honed early in her career as a photographer to create some of the most nuanced, thought-provoking films of the past fifty years.

With the three films in this set, Shoehi Imamura, one of the leading figures of the Japanese new wave, truly emerged as an auteur, bringing to his national cinema an anthropological eye and a heretofore unseen taste for the irreverent.

Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema.