Crazed Fruit: Imagining a New Japan— The Taiyozoku Films
By June 27, 2005
Youth was a global problem problem in the mid-1950s, in literature, journalism, and film. The . . . Read more »
Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking, in this seminal Sun Tribe (taiyozoku) film from director Kô Nakahira. Adapted from the controversial novel by Shintarô Ishihara, and critically savaged for its lurid portrayal of the postwar sexual revolution among Japan’s young and privileged, Crazed Fruit is an anarchic outcry against tradition and the older generation.
| Natsuhisa | Yujiro Ishihara |
| Haruji | Masahiko Tsugawa |
| Eri | Mie Kitahara |
| Frank | Masumi Okada |
| Eri’s husband | Harold Conway |
| Director | Kô Nakahira |
| Producer | Takiko Mizunoe |
| Screenplay and original story | Shintaro Ishihara |
| Cinematography | Shigeyoshi Mine |
| Art director | Takashi Matsuyama |
| Music | Masaru Sato and Toru Takemitsu |
By June 27, 2005
Youth was a global problem problem in the mid-1950s, in literature, journalism, and film. The . . . Read more »
By June 27, 2005
Then film critic and soon-to-be figurehead of the 1960s Japanese new wave Nagisa Oshima saw it . . . Read more »
By June 27, 2005
Youth was a global problem problem in the mid-1950s, in literature, journalism, and film. The . . . Read more »
By June 27, 2005
Then film critic and soon-to-be figurehead of the 1960s Japanese new wave Nagisa Oshima saw it . . . Read more »
By June 27, 2005
Youth was a global problem problem in the mid-1950s, in literature, journalism, and film. The . . . Read more »
By June 27, 2005
Then film critic and soon-to-be figurehead of the 1960s Japanese new wave Nagisa Oshima saw it . . . Read more »