The Threepenny Opera: Doubles and Duplicities
By September 17, 2007
Ladies and gentlemen, you will now hear the strange and comical history of how an . . . Read more »
The sly melodies of composer Kurt Weill and the daring of dramatist Bertolt Brecht come together on-screen under the direction of German auteur G. W. Pabst (Pandora’s Box) in this classic adaptation of the Weimar-era theatrical sensation. Set in the impoverished back alleys of Victorian London, The Threepenny Opera follows underworld antihero Mackie Messer (a.k.a. Mack the Knife) as he tries to woo Polly Peachum and elude the authorities. With its palpable evocation of corruption and dread, set to Weill’s irresistible score, The Threepenny Opera remains a benchmark of early sound cinema. It is presented here in both its celebrated German and rare French versions.
| Mackie Messer | Rudolf Forster |
| Polly Peachum | Carola Neher |
| Tiger Brown | Reinhold Schunzel |
| Jonathan Jeremias Peachum | Fritz Rasp |
| Mrs. Peachum | Valeska Gert |
| Jenny | Lotte Lenya |
| The vicar | Hermann Thimig |
| The street singer | Ernst Busch |
| Director | Georg Wilhelm Pabst |
| Screenplay | Bela Balazs, Leo Lania and Ladislaus Vajda |
| From the play by | Bertolt Brecht |
| Songs | Kurt Weill |
| Cinematography | Fritz Arno Wagner |
| Editing | Hans Oser |
| Art direction | Andrej Andrejew |
SPECIAL EDITION DOUBLE-DISC SET:
By September 17, 2007
Ladies and gentlemen, you will now hear the strange and comical history of how an . . . Read more »
By June 13, 1988
The merits of The Threepenny Opera as a film have, in the past, been much overshadowed by the . . . Read more »
By September 17, 2007
Ladies and gentlemen, you will now hear the strange and comical history of how an . . . Read more »
By June 13, 1988
The merits of The Threepenny Opera as a film have, in the past, been much overshadowed by the . . . Read more »
By September 17, 2007
Ladies and gentlemen, you will now hear the strange and comical history of how an . . . Read more »
By June 13, 1988
The merits of The Threepenny Opera as a film have, in the past, been much overshadowed by the . . . Read more »