Bertrand bides his time in a casually hostile and envious friendship with college chum Guillaume. But when ladies’ man Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches bitterly with disapproval and jealousy. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Rohmer’s second “Moral Tale” is a wonderfully evocative portrait of youthful naiveté and the complicated bonds of friendship and romance.