Miss Julie: The Three Bergs
By January 21, 2008
When it comes to world cinema, Jonathan Rosenbaum has tartly observed, many American critics . . . Read more »
Swedish filmmaker Alf Sjöberg’s visually innovative, Cannes Grand Prix-winning adaptation of August Strindberg’s renowned 1888 play brings to scalding life the excoriating words of the stage’s preeminent surveyor of all things rotten in the state of male-female relations. Miss Julie vividly depicts the battle of the sexes and classes that ensues when a wealthy businessman’s daughter (Anita Björk, in a fiercely emotional performance) falls for her father’s bitter servant. Celebrated for its unique cinematic style (and censored upon its first release in the United States for its adult content), Sjöberg’s film was an important turning point in Scandinavian cinema.
| Miss Julie | Anita Björk |
| Jean | Ulf Palme |
| Christine | Märta Dorff |
| Mother | Lissi Alandh |
| Count | Anders Henrikson |
| Viola | Inga Gill |
| Groom | Max von Sydow |
| Director | Alf Sjöberg |
| Screenplay | Alf Sjöberg |
| Based on the play by | August Strindberg |
| Cinematography | Göran Strindberg |
| Editing | Lennart Wallén |
| Settings | Bibi Lindström |
| Music | Dag Wiren |
By January 21, 2008
When it comes to world cinema, Jonathan Rosenbaum has tartly observed, many American critics . . . Read more »
By January 21, 2008
For some writers, persona threatens to overshadow achievement. Such is the case with August . . . Read more »
By January 21, 2008
When it comes to world cinema, Jonathan Rosenbaum has tartly observed, many American critics . . . Read more »
By January 21, 2008
For some writers, persona threatens to overshadow achievement. Such is the case with August . . . Read more »
By January 21, 2008
When it comes to world cinema, Jonathan Rosenbaum has tartly observed, many American critics . . . Read more »
By January 21, 2008
For some writers, persona threatens to overshadow achievement. Such is the case with August . . . Read more »