Three Reasons: The Complete Jean Vigo
September 22, 2011
Jean Vigo was twenty-five when he made this, his debut film, a silent cinematic poem that reveals, through a thrilling and ironic use of montage, the economic reality hidden behind the facade of the Mediterranean resort town of Nice. The first of Vigo’s several collaborations with cinematographer Boris Kaufman (Dziga Vertov’s brother and a future Oscar winner), À propos de Nice is both a scathing and invigorating look at 1930 French culture.
| Director | Jean Vigo and Boris Kaufman |
| Photography | Boris Kaufman |
| Editing | Boris Kaufman and Jean Vigo |
| Screenplay | Jean Vigo |
By August 31, 2011
Let there be no trouble, no pranks . . . Do you realize the enormity of our moral . . . Read more »
By August 31, 2011
City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto . . . Read more »
By August 31, 2011
Let there be no trouble, no pranks . . . Do you realize the enormity of our moral . . . Read more »
By August 31, 2011
City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto . . . Read more »
January 13, 2012
It’s the time of year when the list makers do their heavy lifting, looking back over the . . . Read more »
September 12, 2011
“Minute for minute, there is almost certainly no more influential figure in all of cinema than . . . Read more »
By August 31, 2011
Let there be no trouble, no pranks . . . Do you realize the enormity of our moral . . . Read more »
By August 31, 2011
City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto . . . Read more »