• Japan
  • 1966
  • 98 minutes
  • Black and White
  • 2.35:1
  • Japanese
  •  

Violence at Noon concerns the odd circumstances surrounding a horrific murder and rape spree. In a twist, the film is as much about the two women who protect the violent man—his wife and a former victim—as it is about him. Containing more than two thousand cuts and a wealth of inventive widescreen compositions, this coolly fragmented character study is a mesmerizing investigation of criminality and social decay.

Cast

Shino ShinozakiSaeda Kawaguchi
Eisuke OyamadaKei Sato
Matsuko KouraAkiko Koyama
Genji HyugaRokko Toura
School directorTaiji Tonoyama
Inspector Haraguchi Fumio Watanabe
Shino’s grandmotherTeruko Kishi

Credits

DirectorNagisa Oshima
CinematographyAkira Takada
EditingKeiichi Uraoka
MusicHikaru Hayashi
ProducerMasayuki Nakajima
ScreenplayTsutomo Tamura
From the story byTaijun Takeda
Art directionJusho Toda

Film Essays

Eclipse Series 21: Oshima’s Outlaw Sixties

By Michael KoreskyMay 20, 2010

DRIVEN TO DESTRUCTION Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’ . . . Read more »

Photo Galleries

Oshima in Words and Images

January 15, 2013


Press Notes

Press Notes: 2010—One Last Look

January 03, 2011

Before we put 2010 to bed, we thought we’d catch up with all the year-end lists that have . . . Read more »


Press Notes

Press Notes: Looking Back at 2010

December 22, 2010

Sight & Sound’s annual poll of the year’s best DVD (and Blu-ray) releases is out, and this . . . Read more »


Press Notes

Press Notes: Oshima’s Outlaw Sixties

May 28, 2010

The teeming talent and copious output of Japanese filmmaker Nagisa Oshima may have resulted in . . . Read more »


Film Essays

Eclipse Series 21: Oshima’s Outlaw Sixties

By Michael KoreskyMay 20, 2010

DRIVEN TO DESTRUCTION Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’ . . . Read more »


News

Kei Sato 1928–2010

By Chuck StephensMay 11, 2010

The great Japanese actor Kei Sato passed away last week; he was eighty-one years old. You may . . . Read more »

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