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David Markey

Independent filmmaker and underground music aficionado David Markey’s films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all of which represent a unique record of the punk scene in Southern California throughout the 1980s and 1990s.

Carnival of Souls

Carnival of Souls

Herk Harvey

United States

1962

83 minutes

1.33:1

1. Herk Harvey’s ahead-of-its-time 1962 low-budget film would be the template for many horror films to follow. But to call this simply a horror film would not do it justice. It will, however, scare the bejesus out of you!

Slacker

Slacker

Richard Linklater

United States

1991

100 minutes

1.33:1

2. This film blew me away when I first viewed it, by accident, in a coffeehouse on Melrose prior to its theatrical release. It was playing nonstop in a back room, and I dragged many of my friends back to see it right away. Let’s just say, I related deeply. It’s Linklater’s first and hands-down best.

Monterey Pop

Monterey Pop

D. A. Pennebaker

United States

1967

78 minutes

1.33:1

3. A film I only saw once, but I can say it probably was the biggest influence on my film 1991: TYPB. My favorite scene: Mama Cass on acid watching Hendrix. You can see her mouth go, “Oh, wow.” Indeed.

Grey Gardens

Grey Gardens

Albert Maysles, David Maysles, Ellen Hovde…

United States

1976

94 minutes

1.33:1

4. I have yet to see the Broadway production, but it warms my heart to know this brilliant documentary from Albert and David Maysles has inspired such a thing. An example of how a personal relationship between the filmmaker(s) and subject can in fact benefit the film itself. Fascinating, funny, and sad.

3 Women

3 Women

Robert Altman

United States

1977

124 minutes

2.35:1

5. One of my all-time favorite Altman films, and clearly one of his strangest. I’ve seen it a bunch over the years, and I always see something new in it with each viewing. The idea for this came to Altman in a dream, and it’s fantastic that he took note and crafted this understated, surreal dark comedy from such a place. People just don’t make films like this anymore. Sissy Spacek and Shelley Duvall are perfect.

Brazil

Brazil

Terry Gilliam

United Kingdom

1985

142 minutes

1.77:1

6. Terry Gilliam grows up from his Python days and delivers a knockout, which (like the Orwell that clearly inspired it) was spot-on in predicting the future. Yes, it’s funny, but it’s mostly bleak, and it is Gilliam’s ultimate film. I love that this DVD set has the hack studio edit included (the “Love Conquers All” version that was sadly used for television, in which a happy ending is inserted, therefore changing the meaning of the film). Kind of reminds me of what the Bush administration has done to the media over the last eight years.

Shadows

Shadows

John Cassavetes

United States

1959

81 minutes

1.33:1

7. The entire John Cassavetes: Five Films set is a great collection/overview of the master of independent cinema, unparalleled badass, brilliant actor and filmmaker JC. Also, I have mad love for Gena Rowlands. How I wish they were my parents.

This Is Spinal Tap

This Is Spinal Tap

Rob Reiner

United States

1984

82 minutes

1.78:1

8. Rock films, or rock bands for that matter, were never looked at quite the same way after this film was released. Rob Reiner, er, Marty DiBergi gets the director credit, but somehow I feel the combined improvisational talent of Christopher Guest, Michael McKean, and Harry Shearer has an awful lot to do with the sublime content within. Yes, it’s funny, but it’s also as painful as any Bergman epic. Such is life.

Fear and Loathing in Las Vegas

Fear and Loathing in Las Vegas

Terry Gilliam

United States

1998

119 minutes

2.35:1

9. This one has grown on me, and I realize it’s one of the better novel-to-film works from the 1960s counterculture. Also notable for the brilliant performances from Johnny Depp and Benicio del Toro.

All That Heaven Allows

All That Heaven Allows

Douglas Sirk

United States

1955

89 minutes

1.77:1

10. Technicolor is one of my weaknesses, and Douglas Sirk has a way with ahead-of-its-time drama unlike few others.