Criterion Collection - Online Cinematheque

Catalan architect Antonio Gaudí (1852–1926) designed some of the world’s most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. Here their artistry melds in a unique, enthralling cinematic experience. Less a documentary than a visual poem, Teshigahara’s Antonio Gaudí takes viewers on a tour of Gaudí’s truly spectacular architecture, including his massive, still-unfinished masterpiece, the Sagrada Familia cathedral in Barcelona. With camera work as bold and sensual as the curves of his subject’s organic structures, Teshigahara immortalizes Gaudí on film.

The 1976 cinema vérité classic Grey Gardens, which captured in remarkable close-up the lives of the eccentric East Hampton recluses Big and Little Edie Beale, has spawned everything from a midnight-movie cult following to a Broadway musical, to an upcoming Hollywood adaptation. The filmmakers then went back to their vaults of footage to create part two, The Beales of Grey Gardens, a tribute both to these indomitable women and to the original landmark documentary’s legions of fans, who have made them American counterculture icons.

For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete one of the most ambitious and difficult films of his career, Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of native Indians to pull a full-size, 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors.

Torben Skjødt Jensen’s elegant documentary is a collage of memories and reflections on one of cinema’s greatest directors. Visually rich and densely layered, Carl Th. Dreyer—My Metier illuminates an artist too little understood and too important to overlook. Through interviews, historical writings, and rare archival footage, a portrait of Dreyer emerges: an austere perfectionist, yes, but also a passionate man possessing a genuine sense of humor. The Criterion Collection is proud to present this in-depth study of Dreyer’s life and work for the first time on home video.

Charles Kiselyak’s A Constant Forge—The Life and Art of John Cassavetes is a detailed journey through the career of one of film’s greatest pioneers and iconoclasts. Assembled from candid interviews with Cassavetes’ collaborators and friends, rare photographs, archival footage, and the director’s own words, the film paints a revealing portrait of a man whose fierce love, courage, and dedication changed the face of cinema forever.

Trickery. Deceit. Magic. In Orson Welles’s free-form documentary F for Fake, the legendary filmmaker (and self-described charlatan) gleefully engages the central preoccupation of his career—the tenuous line between truth and illusion, art and lies. Beginning with portraits of world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying cinematic journey that simultaneously exposes and revels in fakery and fakers of all stripes—not the least of whom is Welles himself. Charming and inventive, F for Fake is an inspired prank and a searching examination of the essential duplicity of cinema.

John Lurie knows absolutely nothing about fishing, but that doesn’t stop him from undertaking the adventure of a lifetime in Fishing with John. Traveling with his special guests to the most exotic and dangerous places on earth, John Lurie battles sharks with Jim Jarmusch off the tip of Long Island, goes ice fishing with Willem Dafoe at Maine’s northernmost point, braves the Costa Rican jungle with Matt Dillon, takes Tom Waits to Jamaica, and searches for the elusive giant squid with Dennis Hopper in Thailand.

In July 1969, the space race ended when Apollo 11 fulfilled President Kennedy’s challenge of “landing a man on the Moon and returning him safely to the Earth.” No one who witnessed the lunar landing will ever forget it. Al Reinert’s documentary For All Mankind is the story of the twenty-four men who traveled to the moon, told in their words, in their voices, using the images of their experiences. Forty years after the first moon landing, it remains the most radical, visually dazzling work of cinema yet made about this earthshaking event.

In 1971, the small African nation of Uganda was taken over by self-styled dictator General Idi Amin Dada, beginning an eight-year reign of terror that would result in the deaths of hundreds of thousands. In this chilling yet darkly comic documentary, director Barbet Schroeder turns his cameras on the infamous tyrant, revealing the dynamic, charming, and appallingly dangerous man whose fanatical neuroses held an entire nation in their grip. Made with the full support and participation of the infamous dictator, General Idi Amin Dada provides a candid and disturbing portrait of one of the 20th century’s most notorious figures.

Called the greatest rock film ever made, this landmark documentary follows the Rolling Stones on their notorious 1969 U.S. tour. When three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco’s Altamont Speedway, Direct Cinema pioneers David and Albert Maysles and Charlotte Zwerin were there to immortalize on film the bloody slash that transformed a decade’s dreams into disillusionment.

Meet Big and Little Edie Beale—high-society dropouts, mother and daughter, reclusive cousins of Jackie O.—thriving together amid the decay and disorder of their ramshackle East Hampton mansion. An impossibly intimate portrait and an eerie echo of the Kennedy Camelot, Albert and David Maysles’s 1976 Grey Gardens quickly became a cult classic and established Little Edie as a fashion icon and philosopher queen.

Barbara Kopple’s Academy Award–winning Harlan County USA unflinchingly documents a grueling coal miners’ strike in a small Kentucky town. With unprecedented access, Kopple and her crew captured the miners’ sometimes violent struggles with strikebreakers, local police, and company thugs. Featuring a haunting soundtrack—with legendary country and bluegrass artists Hazel Dickens, Merle Travis, Sarah Gunning, and Florence Reece—the film is a heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line.

Two ordinary inner-city kids dare to dream the impossible—professional basketball glory—in this epic chronicle of hope and faith. Filmed over a five-year period, Hoop Dreams follows young Arthur Agee and William Gates as they navigate the complex, competitive world of scholastic athletics while striving to overcome the intense pressures of family life and the realities of their Chicago streets. The Criterion Collection is proud to present this landmark documentary chronicling two remarkable families who challenge the American dream.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day. Originally recorded on 16mm film, the television series Ingmar Bergman Makes a Movie is presented here in its entirety for the first time outside of Sweden.

Just four years before his death, legendary filmmaker Ingmar Bergman sat down with Swedish documentarian Marie Nyreröd at his home on Fårö Island to discuss his work, his fears, his regrets, and his ongoing artistic passion. This resulted in the most breathtakingly candid series of interviews that the famously reclusive director ever took part in, later edited into the feature-length film Bergman Island. In-depth, revealing, and packed with choice anecdotes about Bergman’s oeuvre, as well as his personal life, Nyreröd’s film is an unforgettable final glimpse of a man who transformed cinema.

Jimi Hendrix and Otis Redding arrived in California virtually unknown. Returning stateside from London, where he had moved to launch his musical career, Hendrix exploded at Monterey, flooring an unsuspecting audience with his maniacal six-string pyrotechnics. Redding, a venerable star of Memphis’s Stax record label, seduced the “love crowd” in one of his best—and last—performances. Jimi Plays Monterey and Shake! Otis at Monterey, feature the entire sets of these legendary musicians, performances that have entered rock-and-roll mythology.

In 1977, acclaimed director Barbet Schroeder and cinematographer Nestor Almendros entered the universe of the world’s most famous primate to create the captivating documentary Koko: A Talking Gorilla. The film introduces us to Koko soon after she was brought from the San Francisco Zoo to Stanford University by Dr. Penny Patterson for a controversial experiment—she would be taught the basics of human communication through American Sign Language. An entertaining, troubling, and still relevant documentary, Koko: A Talking Gorilla sheds light on the ongoing ethical and philosophical debates over the individual rights of animals and brings us face-to-face with an amazing gorilla caught in the middle.

The Making of Fanny and Alexander is a fascinating look at the creation of a masterpiece. Directed by Ingmar Bergman himself, this feature-length documentary chronicles the methods of one of cinema’s true luminaries as he labors to realize his crowning production. Featuring Bergman at work with many of his longtime collaborators—including cinematographer Sven Nykvist and actors Erland Josephson, Gunnar Björnstrand, and Harriet Andersson—The Making of Fanny and Alexander is a witty and revealing portrait of a virtuoso filmmaker.

On a beautiful June weekend in 1967, at the height of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey would launch the careers of Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic vérité style, D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar, Jimi Hendrix burning his. The Criterion Collection is proud to present this timeless document of a landmark event.

Robert Flaherty’s classic film tells the story of Inuit hunter Nanook and his family as they struggle to survive in the harsh conditions of Canada’s Hudson Bay region. Enormously popular when released in 1922, Nanook of the North is a cinematic milestone that continues to enchant audiences. Criterion is proud to present the original director’s cut, restored to the proper frame rate and tinted according to Flaherty’s personal print.

Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais documented the abandoned grounds of Auschwitz. One of the first cinematic reflections on the horrors of the Holocaust, Night and Fog (Nuit et brouillard) contrasts the stillness of the abandoned camps’ quiet, empty buildings with haunting wartime footage. With Night and Fog, Resnais investigates the cyclical nature of man’s violence toward man and presents the unsettling suggestion that such horrors could come again.

A landmark American documentary, Salesman captures in vivid detail the bygone era of the door-to-door salesman. While laboring to sell a gold-embossed version of the Good Book, Paul Brennan and his colleagues target the beleaguered masses—then face the demands of quotas and the frustrations of life on the road. Following Brennan on his daily rounds, the Maysles discover a real-life Willy Loman, walking the line from hype to despair.