Trick or Truth
By :: kogonada
Repertory Pick: Horror, Dreyer-Style
Jacques Tati, Historian
By Kristin Ross
La dolce vita Around the World
The Vanishing: The End of the Road
By Scott Foundas
Those are our three reasons. What are yours?
By David Hollingsworth August 25, 201105:27 PM
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By Vince C. July 29, 201401:33 AM
“1. The cinematography - locations, angles of view, cropping and B&W. 2. Purposeful, methodical, reasoned pacing. 3. Even though history has told us the ending, a well presented . . .”
David on Three Reasons: My Darling Clementine, 10 minutes ago.
“This is really a wonderful text, and it has, at the same time, Volker's total professionality and his almost mythical modesty. Furthermore, the text is a historical precis of an epoch in which . . .”
Gideon Bachmann on A Conversation with Volker Schlöndorff, about 4 hours ago.
“Just incredible how robust the set looks versus the gorgoeosness of the final shot... amazed”
Johan van Huyssteen on Trick or Truth, about 5 hours ago.
“Good to know that Gideon's VOX HUMANA - THE VOICE BANK project exhibits some of its content in public editions now. Hope that VOX HUMANA - THE VOICE BANK evolves.”
Joachim Polzer on Marcello Mastroianni on Fellini, about 13 hours ago.
“At last, someone's finally elucidated the work's complex structure (instead of lazily dismissing it as a spineless mass of hallucinatory images and portentous themes), at the same time proving . . .”
John on La dolce vita: Tuxedos at Dawn, about 16 hours ago.
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