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By J. Imamura August 26, 2011 04:43 PM
Such a great film, overall. Everything Kubrick is anyway. The bluray looks Beautiful, the film had me sweatin' on the edge of my seat the whole time! I feel terribly guilty for having missed-out on this gem for so long! I used to think Dassin was the best but...I think Kubrick crafted My favorite noir.
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By Craig J. Clark August 26, 2011 07:00 PM
1) It's Kubrick's first fully-realized film.
2) Its nonlinear structure is as innovative today as it was 55 years ago.
3) It's definitive proof that you can plan a heist -- just like you can plan a film -- down to the smallest detail, but you can never know how the human element will trip you up.
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By poughkeepsiejohn August 26, 2011 09:35 PM
1. Given the right role, Sterling Hayden could light up the screen. He does that here.
2. Elisha Cook portrays one of the most pathetic characters ever on film.
3. Just a couple of years after making this, Stanley Kubrick directed "Paths Of Glory" and became an A-list filmmaker for life.
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By Max Fraley August 27, 2011 11:29 PM
1. Hayden and his entourage are as good a mix as you can get in a full bowl of noir sweat.
2. Marie Windsor with Elisha Cook, Jr...burnt toast with melting butter...delicious
3. Kubrick and Thompson... masterful direction with a brilliant script. "The stuff that dreams are made of"
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By J.C. Nystrom September 29, 2011 08:37 PM
1. One of the best noir endings of all time
2. Double cross shootout
3. Multiple angles of the same period of time, probably the best use of this technique on film
1. KUBRICK!
2.Sterling Hayden, a great performance.
3. A great and memorable ending. Just loved it.
4. (yes I'm cheating) The screenplay adaptation of White's novel by Jim Thompson one of my favorite writers of all time. Clean, blunt and to the point the story just roles like the race horses in the film.
“"Benjamin Button" is one of the least gratuitous movies I've ever seen, it's so well-constructed. I felt as if the whole movie was 'ephemeral', not just the Cape Canaveral scene. ”
“ The figure of the Tramp suggests all the sad things of the 1930s, all with Chaplain’s comical sense applied and twisted from common fears and anxieties to a humorous outlet. I think that his films . . .”
“Charlie Chaplin’s Modern Times portrays what Marjorie Perloff would refer to as the “aura of modernism.” In the article Modern Times: Exit the Tramp, Saul Austerlitz refers to a quote made by Chaplin; . . .”
12 comments
By David Hollingsworth
August 25, 2011
05:27 PM
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By U.S.
August 25, 2011
08:57 PM
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By EK
August 25, 2011
10:11 PM
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By Mark J. McPherson
August 25, 2011
11:10 PM
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By J. Imamura
August 26, 2011
04:43 PM
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By Craig J. Clark
August 26, 2011
07:00 PM
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By LJ
August 26, 2011
07:40 PM
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By poughkeepsiejohn
August 26, 2011
09:35 PM
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By Marcus Johnston
August 27, 2011
06:06 PM
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By Max Fraley
August 27, 2011
11:29 PM
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By J.C. Nystrom
September 29, 2011
08:37 PM
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By Tony Runfalo
October 22, 2011
07:51 PM
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By dasboot4211
November 08, 2011
02:38 PM
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