My Top Ten Criterions

Jonathan Lethem

Winner of a 2005 MacArthur Foundation Fellows Program genius grant, Jonathan Lethem is one of America's premier contemporary writers. His works include the novels The Fortress of Solitude and Motherless Brooklyn, as well as a vast array of short stories and essays. He has also contributed essays to the Criterion releases of Robert Siodmak's The Killers, Preston Sturges's Unfaithfully Yours, and the John Cassavetes: Five Films box set.

1. F for Fake     Orsen Welles It's truly astounding to consider that Orson Welles invented the postmodern-appropriationist-essay film, along with so much else.

2. Red Beard     Akira Kurosawa Kurosawa's secret Dickensian masterpiece: sprawling, sentimental, and encompassingly humane.

3. I Know Where I'm Going!     Powell & Pressburger Powell and Pressburger's most enchanted and fresh film, storm-tossed and full of gothic romance.

4. Le Trou     Jacques Becker An absolutely riveting prison-breakout story. Becker is the bridge between Renoir and the new wave.

5. Videodrome     David Cronenberg Still Cronenberg's most nerve-racking, efficient, and, ah, penetrating realization of his vision.

6. 3 Women     Robert Altman A comic-surrealist fugue from the social satirist—one that deepens with each viewing.

7. The Making of Fanny and Alexander     Ingmar Bergman Really, the whole box set. But let me draw your attention to this remarkably plainspoken and demystifying self-portrait of the artist.

8. Slacker     Richard Linklater If this dry, hilarious, spooky existential vision had been subtitled in, let's say, Iranian, would it have been better recognized for the masterpiece it is? Linklater's sensibility is not so far from Kiarostami's.

9. The Sword of Doom     Kihachi Okamoto I'm still recovering from the out-of-kilter intensity of this film, which feels like some interior journey into darkness rendered as a samurai allegory.

10. The Man Who Fell to Earth       Nicolas Roeg In Walter Tevis's novel Roeg found material absolutely suited to his hallucinatory, prophetic style. Mutilated on first release, eternally underrated, this is one of the great films of the seventies.